The Shure SM58® unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. Rugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
Sound & Audio Equipment Hire List Mixing desks / consoles, Loudspeakers, Microphones, | |||||||
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Audio Equipment & Hire Prices | |||||||
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Please note, not all of the equipment we currently stock is listed here and this list is permanently being updated to reflect new hire stock purchased. Please click on the product you require: Mixing Console Hire - GL2800 GL2200 Mixwizard 16:2 Spirit SX20 Loudspeaker Hire - PLA121HL PLA215ST PLA212Mt PLA126FR PLA112S HK PR:O 12 HK PR:O 18 Stage Monitors - TFM212 - F1520 - PLA112M Amplifier Hire - CS4080Hz - CS3000 - PV900 - PV1500 - PV2600 - GPS3500 Microphones - Shure - SM58 - SM57 - Beta58 - Beta57 - PG81 - PG52 - PG56 - PGDMK6 Drum mic set. - Beta56A NEW!- Beta52A NEW! Sennheiser - e906 - e901 - e914 Wireless Microphones - Shure ETV58D SM58 - Shure ETVD/PG58 Cable - 16/4 Multicore 30M - 22/6 Multicore 50M - 24/8 30M Multicore - 8 Ch Multicore 10M | |||||||
40 Channel GL2800 Dual-Function Live Sound Mixer
GL2800 is designed for use in any live sound application, including theatres, music venues, houses of worship, festivals, corporate AV, stadiums, etc. With its neat, intuitive layout and straightforward analogue technology, clean audio and high dynamic range, its performance easily rivals that of the best digital consoles. To Find out more visit http://www.allen-heath.com Download user guide | Day Rate £100 + VAT | Week Rate £300 + VAT | |||||
24 Channel GL2200 Dual-Function Live Sound Mixer The ALLEN & HEATH GL2200 offers the user the versatility to quickly adapt to the exacting demands of live sound engineering today. The GL2200 is developed from the very successful GL2000 console, which included mode switching to quickly convert the console from Front-of-House to On-stage Monitor operation. In addition, the GL2200 includes 4 subgroups, 6 independent aux sends, stereo mic/line channels, pink noise generator, 1kHz oscillator and lots more. It is built on the established tradition of innovative British design and manufacture.
To Find out more visits http://www.allen-heath.com Download user guide | Day Rate £50 + VAT | Week Rate £150 + VAT | |||||
16 Channel Allen & Heath Mixwizard 16:2 Live Sound Mixer / Desk / Rack mount all-purpose console The WZ3:16:2 is a versatile, easy to use 16 mic/line channel mixer - the next generation of this industry standard multi-purpose design. MixWizard compact mixers have carved out a unique place in the pro audio pantheon of professional multipurpose consoles. For years, and in every year, Allen & Heath has supplied thousands of MixWizards for hundreds of different applications, all of which have four requirements in common - great sound, high quality, ease of use and lots of really useful features. To Find out more visits http://www.allen-heath.com Download user guide | Day Rate £30 + VAT | Week Rate £90 + VAT | |||||
12 Channel Soundcraft SX20 Live sound Mixer / Console / Rack Mount Desk Spirit SX is a flexible 4-bus mixer capable of producing Digital sound quality for both live and recording applications. It includes 20 inputs as standard and 18 outputs (including Aux's and Direct Outs). In addition to mix outs, two sub-buses allow groups of instruments to be sent to multitrack, to additional speakers, or sub-grouped to mix. There are also four stereo inputs for keyboards or other stereo instruments. SX's 8 Direct Outs are fader pre/post switchable so they are equally useful for recording in the studio or at a gig.
12 mic/line inputs are equipped with Soundcraft's UltraMic preamp giving a full 60dB or gain range and +22dBu of headroom, meaning that the SX input stage can handle any mic or line device. In the EQ section, the classic British 3-band EQ with swept mid benefits for custom designed pots which give greater control across carefully chosen frequencies. There are 2 auxiliary sends, 2 of which can be assigned pre- or post-fader making them equally useful for monitor-heavy live mixes or effects-heavy recording. In addition, there is a separate Mono Output and 2 subgroup outputs. To find out more visit http://www.soundcraft.com Download user guide | Day Rate £25 + VAT | Week Rate £75 + VAT | |||||
Pro Live Audio PLA121HL 21" Horn Loaded Subwoofer The PLA121HL is a specifically designed low frequency enclosure. Its effective range is from 40Hz to 150Hz making it ideal for 3/4 way applications and is ideally suited to other enclosures in our range. It is capable of delivering high impact bass in medium to large venues in and outdoors. Spec In brief: Power 1000W RMS/2000W Peak SPL132 dB Cont 138dB peak
To find out more download user guide |
Only available for hire as part of a system with engineers | ||||||
| Pro Live Audio PLA215ST 2 x 15" Bass enclosure The PLA215ST is a specifically designed low frequency enclosure. Its effective range is from 40Hz to 200Hz making it ideal for 3/4 way applications and is ideally suited to other enclosures in our range. It is capable of delivering high impact bass and is ideally suited to small to medium size venues. Spec In brief: Power 1600W RMS/3200W peak SPL134 dB Cont 140dB peak
To find out more download user guide | Only available for hire as part of a system with engineers | ||||||
| Pro Live Audio PLA212Mt Mid/High range enclosure The PLA212Mt is a specifically designed mid & high range enclosure. Its effective range is from 118.5Hz to 20kHz making it ideal for 3 way applications and is ideally suited to our range of subwoofer enclosures. The cabinet contains two 12” drivers and one 1.75” compression driver.Spec In brief: Power 1000W RMS/2000W peak SPL133 dB Cont 136dB peak
To find out more download user guide | Only available for hire as part of a system with engineers | ||||||
| Pro Live Audio PLA126FR Full Range enclosure The PLA212M is a specifically designed full range enclosure. Its effective range is from 55Hz to 20kHz making it ideal for DJ, music playback, AV presentations and public address/conference applications and is ideally suited to our range of subwoofer enclosures. The cabinet contains one 12” driver, one 6" driver and one 1” compression driver and is pole mountable.Spec In brief: Power 500W RMS/1000W peak SPL123 dB Cont 129dB peak
| Day Rate (pair) £30 + VAT | Week Rate (pair) £90 + VAT | |||||
| Pro Live Audio PLA112S Bass enclosure The PLA215ST is a specifically designed compact low frequency enclosure. Its effective range is from 40Hz to 200Hz making it ideal for 3/4 way applications and is ideally suited to other enclosures in our range. It is capable of delivering high impact bass and is ideally suited to small size venues, DJ, Music playback AV presentations and public address/conference applications. Spec In brief: Power 500W RMS/1000W peak SPL122 dB Cont 128dB peak
To find out more download user guide
| Day Rate (pair) £30 + VAT | Week Rate (pair) £90 + VAT | |||||
The heart of PREMIUM PR:O models is a 1" driver. Able to deliver ultra low-distortion performance even at peak loads, it renders a very natural-sounding, linear sonic image. In tandem with the 60° x 40° horn, its extremely articulate and amazingly accurate response reaches deeply into every room. The PREMIUM PR:O Series’ outward appearance—a modern classic with smart appointments—mirrors the high quality of its interior components. The ergonomic handles are integrated fully into the enclosures,
| Day Rate (pair including amplifier, stand, cable) £50 + VAT | Week Rate (pair including amplifier, stand, cable) £150 + VAT | |||||
Power handling capacity RMS:400 W Program: 800 W
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High-power-capacity 18" subwoofer with high-quality crossover for powerful low-end kick. Power handling capacity RMS: 500 W Program: 1000 W
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| Day Rate (pair including amplifier) £50 + VAT | Week Rate (pair including amplifier) £150 + VAT | ||||
| HK Premium Pro Full System 1.8kW 1.8kW system comprised of 2 x PR:O 12's and 2 x PR:0 18 Sub's. PA System fits into most good sized hatchback cars or estates. Applications: Live sound, AV presentation, DJ, Music Playback, Public address, side fill / drum monitor.
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| Day Rate (including amplifiers, stands, cables) £100 + VAT | Week Rate (including amplifiers, stands, cables) £300 + VAT | ||||
| HK Actor Full System 2.8kW 2.8kW system comprised of 2 x PR:O 12's and 4 x PR:0 18 Sub's. PA System fits into large estate cars or a small van. Applications: Live sound, AV presentation, DJ, Music Playback, Public address, side fill / drum monitor.
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+ 2 extra PR:0 18's
| Day Rate (including amplifiers, cables) £130 + VAT | Week Rate (including amplifiers, cables) £350 + VAT | ||||
| Stage Monitors: | |||||||
| Turbosound TFM212 2 x 12" stage monitor Comprising two custom designed 12” low frequency drivers and a 1” high frequency compression driver on a 80° x 60° horn, combined with a low-loss third order passive crossover network, the TFM-212 features a very unobtrusive profile, enabling it to be used wherever accurate sound quality and minimal sightline disturbance is essential, such as in television studios and other broadcast applications.
| Day Rate Price Per Pair Flight cased. £50 + Vat | Week Rate Price Per Pair Flight cased. £150 + Vat | |||||
| Behringer F1520 15" 350W stage Monitor With its specially developed 15" woofer and 1" titanium HF driver, our EUROLIVE F1520 is a true power pack of a monitor that won't let you down no matter how loud it gets on stage. And it retains its clarity even at extreme sound pressure levels, so that it will always do what it's supposed to: allow you to hear exactly what you and your band are doing. Nonetheless, the F1520's highly efficient components ensure that it will deliver at lower levels as well. Naturally, this EUROLIVE monitor speaker system also features optional full range or bi-amping mode.
To find out more visit http://www.behringer.com download user guide | Day Rate £15 + VAT | Week Rate £45 + VAT | |||||
| Pro Live Audio PLA112M Stage Monitor The PLA112N is a specifically designed compact full range stage monitor. Its effective range is from 60Hz to 20kHz. It is capable of delivering clear and high volume ideally suited for stage monitoring. Spec In brief: Power 350W RMS/700W peak SPL124 dB Cont 130dB peak
| Day Rate £15 + VAT | Week Rate £45 + VAT | |||||
| Amplifiers: | |||||||
| Peavey CS4080Hz Power Amplifier Building on the reputation of the world-famous Peavey CS 800, which conquered the power amp market in the 1970s, the CS Series is the global standard bearer for workhorse reliability. Over the years, these amps have benefited from some of Peavey's most popular audio innovations, including our exclusive DDT™ compression/anti-clipping protection. With its 2 RU design and power points up to 4080 watts, this latest evolution of the CS Series is leaner, louder and lighter than ever.
2040 watts (RMS) per channel at 4 ohms To find out more visit: http://www.peavey.com | Only available for hire as part of a system with engineers | ||||||
| Peavey CS3000 Power Amplifier Building on the reputation of the world-famous Peavey CS 800, which conquered the power amp market in the 1970s, the CS Series is the global standard bearer for workhorse reliability. Over the years, these amps have benefited from some of Peavey's most popular audio innovations, including our exclusive DDT™ compression/anti-clipping protection. With its 2 RU design and power points up to 4080 watts, this latest evolution of the CS Series is leaner, louder and lighter than ever.
1550 watts (RMS) per channel at 2 ohms To find out more visit: http://www.peavey.com | Only available for hire as part of a system with engineers | ||||||
| Peavey PV900 Power Amplifier The new PV® Series power amps retain their two-channel design, high power points and exclusive Peavey features and technologies—such as DDT compression and Peavey patented Turbo-V Cooling. The PV 900 delivers 300 watts per side into 4 ohms, 180 watts into 8 ohms and features detented input gain controls. It's a real workhorse.
2x300 watts at 4 ohms To find out more visit: http://www.peavey.com | Only available for hire as part of a system with engineers | ||||||
| Peavey PV1500 Power Amplifier All the features and proven reliability. The PV 1500 features DDT distortion detection technique virtually eliminating distortion. It also features Peavey's patented Turbo-V cooling design, which cools the power transistors more evenly than traditional heat-sink designs.
2x500 watts at 4 ohms Available to hire in racks of two or three intended for powering stage monitors. To find out more visit: http://www.peavey.com | Rack of 2 £45 + VAT per day. Rack of 3 £60 + VAT per day. | Rack of 2 £125 + VAT per week. Rack of 3 £180 + VAT per week. | |||||
| Peavey PV2600 Power Amplifier Massive power in a small package. The PV 2600 has XLR, 1/4 inch and barrier strip inputs with Peavey's famous DDT compression system, binding post and Speakon® output connectors.
2x900 watts at 4 ohms To find out more visit: http://www.peavey.com | Only available for hire as part of a system with engineers | ||||||
| Peavey GPS3500 Power Amplifier With wide range applications, from permanent installations to use by touring bands, the GPS® power amps are targeted to meet the full spectrum of performance demands. Available to hire individually in 2 U cases.
1200 watts (RMS) per channel at 4 ohms To find out more visit: http://www.peavey.com | Day Rate £30 + VAT | Week Rate £90 + VAT | |||||
| Shure SM 58
To find out more visit http://www.shure.com Download user guide |
| Day Rate £5 + VAT | Week Rate £15 + VAT | ||||
| Shure SM57
The legendary Shure SM57 microphone is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds. The SM57’s outstanding performance, legendary reliability, and diversity of application make this "workhorse" the choice of performers, producers, and sound engineers worldwide. To find out more visit http://www.shure.com Download user guide |
| Day Rate £5 + VAT | Week Rate £15 + VAT | ||||
| Shure Beta 58A The Shure Beta 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. This insures high gain before feedback, maximum isolation from other sound sources, and minimum off-axis tone coloration. The Beta 58A has a shaped frequency response that is ideal for close–up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille. To find out more visit http://www.shure.com Download user guide |
| Day Rate £6 + VAT | Week Rate £18 + VAT | ||||
| Shure Beta 57A The Shure Beta 57A® is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals. To find out more visit http://www.shure.com Download user guide |
| Day Rate £6 + VAT | Week Rate £18 + VAT | ||||
| Shure PG81 A sensitive, flat response condenser microphone ideal for acoustic instruments & cymbals. Flat frequency response is wide and uniform. Consistent sensitivity through frequency range. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Condenser cartridge has a lightweight, sensitive diaphragm. Precisely and smoothly captures sound nuances. Powered by AA battery or phantom power supply. Internal shock mount for reduced handling noise. Durable metal construction. On/off switch for onstage control. To find out more visit http://www.shure.com Download user guide |
| Available to hire as part of PGDMK6 Drum mic set. | Available to hire as part of PGDMK6 Drum mic set. | ||||
| Shure PG56 A compact drum microphone for close miking. Ideal for the snare drum and rack toms. Tailored frequency response is smooth and extended. Tuned specifically for drum applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. To find out more visit http://www.shure.com Download user guide |
| Available to hire as part of PGDMK6 Drum mic set. | Available to hire as part of PGDMK6 Drum mic set. | ||||
| Shure PG52 A high-performance Cardioid Dynamic Kick Drum microphone tuned to capture low-end punch. Tailored frequency response is smooth and extended. Tuned specifically for kick drum applications. Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings. Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion. Cartridge includes a neodymium magnet for high output level. Internal shock mount for reduced handling noise. Durable metal construction. Integral stand mount. Hardened steel mesh tapered grille that resists wear and abuse. To find out more visit http://www.shure.com Download user guide |
| Available to hire as part of PGDMK6 Drum mic set. | Available to hire as part of PGDMK6 Drum mic set. | ||||
| Shure Beta56A The Shure Beta 56®A microphone has a frequency response specifically tailored for drums and instruments. Its extremely uniform supercardioid pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise. A built–in dynamic locking stand adapter with an integral XLR connector simplifies installation. The stand adapter keeps the microphone securely in place, even if it is struck by a drumstick. Typical Beta 56A applications include close miking of tom–toms and other percussion instruments, as well as guitar amplifiers, brass instruments, and woodwinds. |
| Day Rate £6 + VAT | Week Rate £18 + VAT | ||||
| Shure Beta52A The Shure Beta 52®A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built–in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. |
| Day Rate £7 + VAT | Week Rate £21 + VAT | ||||
| PGDMK6 Drum mic set. A complete drum mic package. The PGDMK6 drum mic kit includes three PG56 snare/tom microphones, one PG52 kick drum microphone, two PG81 instrument microphones, three A50D drum mounts and a durable carrying case. To find out more visit http://www.shure.com |
| Day rate £20 + VAT | Week rate £60 + VAT | ||||
| AKG D58 A special, Hypercardioid close-talking dynamic microphone for talkback use in professional studios & live sound. Hypercardioid microphone for use in noisy environments, Small and inconspicuous, Noise cancelling close-talking microphone, Extremely rugged To find out more visit http://www.akg.com |
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| AKG D112 The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. To find out more visit http://www.akg.com |
| Day Rate £7 + VAT | Week Rate £21 + VAT | ||||
| AKG C1000S The versatility of the C 1000 S makes this an extremely popular model, and one ideally suited for all kinds of recording and live sound applications. To find out more visit http://www.akg.com |
| Day Rate £6 + VAT | Week Rate £18 + VAT | ||||
| Sennheiser e906 The supercardioid e 906 instrument microphone was especially designed for guitar amplifiers, but it is also an excellent choice for percussion and brass instruments. To find out more visit http://www.sennheiser.com/ Download user guide |
| Day Rate £6 + VAT | Week Rate £18 + VAT | ||||
| Sennheiser e901 The half-cardioid e 901 is the perfect condenser microphone for kick drum. It is highly robust and step-resistant. It benefits from an integrated preamp. To find out more visit http://www.sennheiser.com/ Download User Guide |
| Day Rate £8 + VAT | Week Rate £24 + VAT | ||||
| Sennheiser e914 The e914 is a high-grade condenser microphone for very demanding applications. Its outstanding sound properties qualify it for highly sophisticated applications such as acoustic guitars, cymbals, percussion, overhead, orchestras and grand pianos. To find out more visit http://www.sennheiser.com/ |
| Day Rate £10 + VAT | Week Rate £30 + VAT | ||||
| Audio Technica ATR35s Audio-Technica’s omnidirectional ATR35s lavalier is engineered for intelligible, accurate voice reproduction. This high-quality condenser is ideal for video use. Its low-profile design assures minimum visibility. To find out more visit http://www.audio-technica.com |
| Day Rate £4 + VAT | Week Rate £12 + VAT | ||||
| Wireless Microphones: | |||||||
| Shure ETV58D SM58 Diversity VHF Wireless Mic To find out more visit http://www.shure.com Supplied with used PP9 battery, new batteries supplied on request. |
| Day Rate £12 + VAT | Week Rate £36 + VAT | ||||
| Shure ETVD/PG58 Diversity VHF Wireless Mic To find out more visit http://www.shure.com Supplied with used PP9 battery, new batteries supplied on request. |
| Day Rate £12 + VAT | Week Rate £36 + VAT | ||||
| Cable & Multicore: | |||||||
| 16/4 Multicore 30M 16 stage sends + 4 returns, this multicore was specifically made for the Soundcraft Spirit SX20 with returns on 1/4" jacks and channels 13-16 also on 1/4"jacks, allowing for 2 monitor mixes + FOH. Multicore is 30 meters in length. |
| Day Rate £20 + VAT | Week Rate £60 + VAT | ||||
| 22/6 Multicore 50M 22 stage sends + 6 returns, this multicore was specifically made for the Allen & Heath GL2800 40 Channel desk. Two drums give 44 sends to the desk and 12 returns to stage allowing up to 8 monitor mixes, a sidefill mix and FOH. Multicore is 50M in length mounted on cable drum, all connectors are XLR. |
| Day Rate £30 + VAT | Week Rate £90 + VAT | ||||
| 24/8 Multicore 30M 24 Stage sends + 8 returns, this multicore is ideally suited to the Allen & Heath GL2200 24 channel desk, allowing for 4 monitor mixes, sidefill & FOH. Multicore is 30 meters in length, all connectors are XLR. |
| Day Rate £25 + VAT | Week Rate £75 + VAT | ||||
| 8 Channel Stage Box 10M 8 channel stage box, ideal for keeping the stage area clear when used with larger multicores, you could use one for the drum kit, one for vocals and one for backline and only have 3 cables going to your multicore in stead of 24! Also suited for use with small mixing desks, PA systems and conferencing applications where unsightly masses of cables are not wanted. Cable is 10 meters in length, all connectors are XLR. |
| Day Rate £5 + VAT | Week Rate £15 + VAT | ||||
